The
premise behind this show is a brave yet slightly dangerous one. It is an improv
piece but as every seasoned theatregoer knows, improv needs to be executed
brilliantly in order for it to work. Unfortunately, though the concept for
Blind Date is intriguing, the execution falls far below brilliant.
Rebecca Northan’s character, Mimi has
been waiting 2 hours for a blind date who has clearly stood her up, so she
chooses a man form the audience to be her date for the night. The show very
much depends on the man she chooses. The first night I saw the show, she chose
a 27 year old man who didn’t appear stage shy and was really up for the
challenge of taking a leading role in this 90 minute piece. The second night I
saw it, a 51 man who came across as smug and cocky was chosen. He seemed
determined to take the show in his own direction.
The dates are managed tastefully and volunteers are made to feel at ease with a ‘time-out’ line created allowing her ‘date’ breathing space if he starts to feel uncomfortable or needs coaching.
The dates are managed tastefully and volunteers are made to feel at ease with a ‘time-out’ line created allowing her ‘date’ breathing space if he starts to feel uncomfortable or needs coaching.
There are a few genuinely funny
moments and the improvised police car shows how imagination can make even the
most basic props fun. However, long, awkward pauses and the usual blunders
associated with improv let the show down. Additionally it commenced 15 minutes
later than the advertised time both nights I attended.
Nonetheless, the truly clever thing about
this show is that every night is guaranteed to be a different experience so
potentially audience members who enjoy it enough can return again and again.
Blind Date can been seen @ Charring Cross Theatre until mid July
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