This
play, indeed the entire production, is brilliant from start to finish. The
script, the magnificent cast headed by Helen Mirren reviving her role as Queen,
the fascinating live costume changes on stage and even the corgis; it’s
difficult to fault anything about The Audience.
Furthermore, the ‘real’ audience enjoyed the rare privilege of an
interview with writer, Peter Morgan, during the intermission.
Portrayed
through various sketches, it’s the story of imagined conversations between the
Queen and her prime ministers over the years. As no one other than the prime
ministers and the Queen herself actually know what was discussed during these
meetings (there are no minutes and both parties have an unspoken agreement not
to divulge what is said), Morgan focuses on each prime ministers’ best known
traits.
The
fact that the play doesn’t run chronologically keeps it fresh and intriguing and
the smooth transitions are cleverly aided by the Queen’s interchanges with her
younger self. As the play spans a few
decades she’s shown as mother and grandmother.
We
don’t know how realistic this piece is but in some ways that’s the beauty of it
and, does it really matter? Personally, I think not. With astute one-liners and
the monarch even falling asleep during one of her meetings, there is no
shortage of laughs. A beautifully casted and crafted production and I would
highly recommend it. But hurry, there are only two more shows!
The Audience can be seen @ Gielgud Theatre until 15th June
Hey Silvano. Nice blog. Interesting comments. Love you! From Susanne.
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