Marianne Jean-Baptiste gives a compelling
performance as the fervent pastor of a 1950’s Harlem Pentecostal church. This
strict pastor has some challenges ahead as her husband’s sudden return
threatens to undermine all she stands for. Add to this the seemingly negative
influence he has on her son and her congregation plotting a revolt, and it
feels as though Sister Margaret Alexander is losing a grip on everything she
has worked so hard to build over the years.
The London Gospel Community Choir do
an excellent job of reviving some old church hymns and choruses and director
Rufus Norris splendidly pulls it altogether so it flows effortlessly from one
scene to another.
Indeed many a black Pentecostal
church-goer will be able to relate to the dancing, singing, jumping, and
rolling in the spirit of this ardent congregation in James Baldwin’s play. My
favourite character is easily Sis Moore (Cecilia Noble). With her whiney voice
and insinuating attitude (always in denial that she is actually making any kind
of accusation) she plays the role of ‘church stirrer’ to perfection.
Some
exchanges between characters drag on a little, the ending seems abrupt and the
husband’s character underdeveloped. But this engaging production is easily accessible
even to those of a non religious background and worth watching.
The Amen Corner can be seen @ The National Theatre until mid August
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